As is traditional, July is a slow month, though there are still plenty of exciting prospects, particularly for film or opera buffs.
Theatrical
The New Conservatory Theater gives us Drag Queen Storytime Gone Wild, featuring the Kinsey Sicks, from 5 to 16 July.
BroadwaySF presents Les Misérables at the Orpheum from 5 to 23 July.
The African-American Shakespeare Company, in collaboration with the Craft Institute, presents Echoes of Us, directed by Michele Shay, a series of monologues covering the African diaspora featuring Vanessa Bell Calloway, Anna Maria Horsford, L Peter Callender, Jason Dirden, Sola Bamis, & Desean Terry, at the Marines’ Memorial Theater from 15 to 17 July.
The Berkeley Playhouse presents Disney's Newsies, with book by Harvey Fierstein, music by Alan Menken, & lyrics by Jack Feldman, from 15 to 23 July.
As part of its Champagne Staged Reading Series, Shotgun Players at the Ashby Stage will perform Eric John Mayer's The Antelope Party, directed by Kieran Beccia, about a group of young men who are fans of My Little Pony & a paranoid "neighborhood watch" brigade, & that's on 17 & 18 July.
On 21 July at the San Francisco Conservatory of Music, you can see UnRavelled, "the story of Dr. Anne Adams and her obsession with Ravel’s Bolero. How she, through her diagnosis of Frontotemporal Dementia (FTD), developed as a painter and became a remarkable artist. Through her story the play also uncovers the mystery of Ravel’s similar diagnosis almost 100 years earlier"; the play is created & written by Jake Broder & directed by James Bonas, with Curt Pajer conducting the music.
Operatic
The Merola Opera Program presents Britten's The Rape of Lucretia, conducted by Judith Yan & directed by Jan Essinger, at Herbst Theater on 13 & 15 June, but it looks as if they don't let you choose your own seat, which is going to make this a non-starter for some of us.
Pocket Opera presents Tosca in a co-production with Cinnabar Theater, with music direction by Mary Chun & stage direction by Elly Lichenstein, with Michelle Drever in the title role, Alex Boyer as her ill-fated lover Cavaradossi, & Spencer Dodd as the villainous Scarpia, & that's on 16 July at the Mountain View Center for the Performing Arts, 23 July at the Hillside Club in Berkeley, & 30 July at the Legion of Honor in San Francisco.
On 22 July West Edge Opera launches its annual summer festival, which will once again be at the Scottish Rite Center in Oakland, with Monteverdi's The Coronation of Poppea (conducted by Adam Pearl, directed by NJ Agwuna, starring Shawnette Sulker as Poppea), which will play on 22 & 30 July & 3 August; then comes Cruzar la Cara de la Luna (To Cross the Face of the Moon), the "mariachi opera" composed by José “Pepe” Martínez to a libretto by Leonard Foglia (conducted by Sixto Montesinos, directed by Karina Gutierrez, starring baritone Efraín Solís (a memorable Golaud when West Edge performed Pelléas several years ago)), & that plays on 23 & 28 July & 5 August; then comes a double-bill of Stravinsky's Le Rossignol (The Nightingale) & Schoenberg's Erwartung (Expectation) (both conducted by Jonathan Khuner & directed by Giselle Ty, with Helen Zhibing Huang in the title role of the Stravinsky & Mary Evelyn Hangley in the Schoenberg), & those play on 29 July & 4 & 6 August.
In addition to their three main presentations, West Edge is offering a work-in-progress orchestra preview of Dolores, a work it has commissioned from Nicolás Lell Benavides (music) & Marella Martin Koch (libretto), based on the life of labor activist Dolores Huerta, & that's 13 August at the Taube Atrium Theater in San Francisco.
Vocalists
Enrico Lopez-Yañez leads the San Francisco Symphony in a program (details yet to be announced) featuring the "Queen of Mariachi," Aída Cuevas, on 15 July.
Orchestral
The San Francisco Symphony is in summer mode this month (popular classics, lots of film play-alongs), but you can also hear Joshua Weilerstein conducting Pavel Haas's Study for Strings, the Sibelius Violin Concerto (with soloists Alexi Kenney), & the Dvořák 9, From the New World, on 6 July; Anna Rakitina conducting the Rachmaninoff Piano Concerto #2 (with soloist Denis Kozhukhin) & Elgar's Enigma Variations on 13 July; & on 22 July Edwin Outwater conducting musical highlights from The Golden Age of Cinema, featuring cellist Sterling Elliott & music by Elmer Bernstein, Erich Wolfgang Korngold, Leonard Bernstein, Bernard Herrmann, Miklós Rózsa, & John Williams.
The Handel Opera Project will perform Psalms by Handel, Liszt, & Vivaldi, along with Purcell's Come, Ye Sons of Art, featuring Sara Couden, Angela Jarosz, Jennifer Mitchell, Reuben Zellman, & Bradley Kynard, on 16 July at the Maybeck-designed First Church of Christ Scientist on Dwight Way in Berkeley.
Jeffrey Thomas & the American Bach Soloists launch their annual summer festival this month, beginning on 27 July with music by John Blow, Vivaldi, Telemann, & Bach, along with the world premiere of Spring in San Francisco by José Daniel Vargas, the winner of the American Bach New Music for Period Instruments Competition; followed by Explorations: Bach Beyond Baroque on 28 July, featuring pianist Oliver Moore playing music by Bach & arrangements of Bach by Camille Saint-Saëns, Busoni, & Liszt (& of Handel by Brahms); an informal, immersive performance of Vivaldi's Four Seasons on 29 July, featuring SFBaroque (Jacob Ashworth, Tatiana Chulochnikova, Tomà Iliev, & YuEun Gemma Kim); & on 30 July, ABS's annual performance of the Mass in B Minor, featuring soprano Hélène Brunet, mezzo-soprano Sarah Coit, contralto Agnes Vojtko, tenor Aaron Sheehan, & bass-baritone Christian Pursell.
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