fun stuff I may or may not get to: October

Cal Performances gets things off to a terrific start with several west coast premieres from the Mark Morris Dance Group: Socrate, Looky, and Behemoth, September 30 to October 3. Jeremy Denk appears Sunday October 24, with a wonderful program: the Ligeti Etudes, Books 1 and 2, and Bach’s Goldberg Variations. And from the 26th to the 30th, Benjamin Bagby is performing Beowulf (with surtitles) in what the series brochure calls Anglo-Saxon – do they not call it Old English anymore? Ah, tempus fugit. . . They have a bunch of other interesting stuff as well, but that’s what I have tickets for so far.

San Francisco Performances presents the Takacs Quartet on October 9, playing Haydn, Bartok, and Beethoven. Again: they have other interesting stuff this month, but that’s what I have a ticket for so far.

Cutting Ball Theater starts its season with a Hidden Classics Reading Series presentation of Andromache, by Euripides, on Sunday October 3 at 1:00 p.m. (The Hidden Classics series has free admission.)

Between the Lines, directed by Nicole Paiement, presents Riding the Elevator into the Sky on October 9, featuring Chiaroscuro Azzurro by Laura Schwendinger with Wei He on violin and David Conte’s Sexton Songs, with Marnie Breckenridge, at the San Francisco Conservatory of Music. 415-503-6275 for tickets.

Magnificat presents a rare opportunity to hear John Blow’s Venus and Adonis, 8-10 October, in a different location each night, so check out details on their website.

In further baroque developments, Philharmonia Baroque presents a variety of works by Bach, including the Wedding Cantata, the harpsichord concertos in D minor and D major, and the Orchestral Suite No. 1; October 15-19 in various locations, so check out details on their website.

The Beethoven 7 is perhaps my favorite of his symphonies, so I’m glad to see the San Francisco Symphony has it scheduled October 7-9, with some interesting accompanying pieces by Revueltas, Villa-Lobos, and Varese.

The Shotgun Players offer Mary Stuart, writer-director Mark Jackson's version of Schiller's play.

At the end of the month (starting October 22), Berkeley Rep starts its run of the three-part, twelve-playwright west coast premiere of The Great Game: Afghanistan.

And at the very end of the month, October 30 and 31, Urban Opera presents The Witch of Endor, a pasticcio version of Saul's visit to the witch of Endor (familiar from Handel's Saul, if not from The First Book of Samuel) based on music mostly by Purcell. The title role is sung by Shawnette Sulker, who was so good in Carter's A Mirror on Which to Dwell.